Publications:
- Kjus, Yngvar, Kraugerud, Emil, & Skjerdal, Øyvind (2026). Tutoring, selling, gearfluencing, or what? An exploration of the motives and methods of online introductions to music production technology. In Andersen, C. S., Gullö, J.-O., Hepworth-Sawyer, R., Marrington, M., Paterson, J. & Toulson, R. (eds.), Innovation in music: Current research perspectives (pp. 44–54). Focal Press.
- Kraugerud, Emil (2024). Intimate acoustic environments on record. In Matthews, E.-K., Burry, J. & Burry, M. (eds.), The Routledge companion to the sound of space (pp. 87–97). Routledge.
- Kraugerud, Emil, & Coughlan-Allen, Joseph (2024). Framing intimacy: noise as a signifier of intimate silence. Sound Studies: An Interdisciplinary Journal. doi: 10.1080/20551940.2024.2395729.
- Danielsen, Anne; Kjus, Yngvar, & Kraugerud, Emil (2018). Gendered patterns in music mediation: a study of male and female performers at the Øya festival using multiple data sources. Poetics. doi: 10.1016/j.poetic.2018.09.002.
- Kraugerud, Emil (2017). Meanings of spatial formation in recorded sound. Journal on the Art of Record Production.
